Grateful Dead 4/5/1971 Manhattan Center - New York, NY (All,3 SHN) Source: MR>RR (BBD)>PCM>DAT>CD Notes: FamTreeChat: 4/5-6/71 CD Shrub 7"" two track BBD rell w/ dolby A @ 7 1/2 ips> PCM501ES @ 44.05kHz PCM501ES analog out> dolby A decoder> analog in PCMF1 PCM501ES analog out> Fostex D5 @ 48kHz> ?# of DAT dups ****Disk #1**** --No known anomolies ****Disk #2**** --.There is a couple second dropout right after TOO starts on Track #4; and then also, there is a tape splice in TOO (losing @10"") causing it to be split into two tracks, #4 & #5. --Track #7, almost 4' exactly into Sugar Mag, the overall levels drop a bit. --Track #8, King Bee, ther is some weird audience noise @7"" in, during the intro guitar phrasing. Almost sounds like an audience mic feed slipped into the mix? Sounds so odd.......But also kinda trippy... (it is only for a few seconds though, and then leaves ....Mysterious) ****Disk #3**** -Track #1--no audible levels til @53"" into the track and then only low instruments until the vocals kick in at @1' 30"", accompanied by a high-pitched tone? Betty musta been still gettin' her board feet; perhaps.....? -Track #4, Lovelight, has a subtle splice @11' into the Track, where Pig comes outta the jam with ""Well she got box-backed nitties.....etc.""; and the ""Great big noble thighs "" line is cut, and then it segues back into ""Workin' undercover witha....etc.""..........Also, As in Disk #2's TOO, Lovelight is split between Tracks #4 & #5 with a big wet sloppy cut announcin' Track #5 (don't know exactly how much is cut there?) --Also in Track #4, there is some some intermitent digi-noise from @9' 25""-->9' 40"", with the most audible amount of it at 9' 40""; I think there is also a very subtle splice @9' 47" into the the Track, but y'all can let me know what your ears hear here.Art Link: http://www.gdcdcovers.com/annex.html gd1971-04-05.jpg
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